D'Addario Venn Generation 2.0 Synthetic Saxophone Reed Review

D'Addario Woodwinds are back at at it again with the latest iteration of the Venn Generation 2.0 Advanced Synthetic Reed for alto saxophone! The latest version of the Venn has amazing improvements and offers the most cane-like experience of a synthetic reed I have experienced so far. Improvements are largely due to removing the 1st generation’s protective film on the table, selecting a new stronger fiber material, and refinements to the resin. I also noticed changes to the cut of the reeds themselves, although this was not noted in the official white paper that I received from D’Addario Woodwinds. Finally, the latest generation of Venn’s are designed to run more true to strength, as opposed to the 1st gen which tended to run very stuff.

The Venn Generation 2.0 to be the most cane-like synthetic reed that I have ever tried. Compared to Légère Signature reeds, I found the Venn had more projection, body, and ring to the sound. On the other hand, the Légère’s are capable of more quiet playing, particularly in the lower register. I also found Légères to be a little more consistent from one reed to the next, although I am sure Venn will continue to improve in this regard. Thankfully, unlike Légères, D’Addario says that the Venn reed can safely be worked on with sandpaper and other reed working methods.

Be sure to check out my video with playing samples, below, and tell me what you hear!

Single Release: Sanctuary

After months of preparation, recording, and production, I am thrilled to share that my single release of Viet Cuong’s Sanctuary is now live! This recording was performed in collaboration with pianist and composer Benjamin Nylander and made possible by our fearless sound engineer and producer Robert Dunham. This new single can be found on your favorite online music outlets like Apple Music, Spotify, Amazon Music, YouTube Music, iTunes, and countless others. This is the world premiere commercial recording of Sanctuary and we could not be happier with how it turned out!

This project would not have been possible without the support of the 40+ musicians who helped commission the piece in 2020. It was my hope that this project would help form new connections and bonds despite the isolation, division, and strife of that year, and I was quite floored with the enthusiastic response towards this commission across our community. Many thanks to the following commission consortium members:

Alvin Phan
Andrew Harrison
Andrew Hutchens
Andrew Moore
Dr. Bob Eason
Dr. Bobbi Thompson
Dr. Brandon Quarles
Carl Ng
Dylan Ward
Dr. Gabriel Piqué
Dr. Gail B. Levinsky
Dr. Geoffrey Deibel
Jack Thorpe
Jacob Kilford
Dr. Jan Baker
Dr. Jeffrey Leung
Jess Dodge
Joe Lyons
Jon Deysher
Jonathan Stelzner
Joshua Tuttle
Kaitlyn Grella
Katherine Campbell
Kirby Leitz
Kyle Blake Jones
Lindsey Welp
Lois Hicks-Wozniak
Nick Grimone
Dr. Nicki Roman
Oswaldo Garza
Reese Burgan
Robert Hess
Dr. Sarah Hetrick
Dr. Stephen Page
Steven Amann
Taiki Azuma
Third Stream Duo (3S2)
Trek Boyland
Tyler Young
Uday Singh
Dr. Xin Gao
Zach Arthur

Sanctuary’s single also represents the first taste of a larger project: my debut album! The album will feature music for saxophone and piano by John Anthony Lennon, Marilyn Shrude, Benjamin Nylander, Delanie Molnar, and Viet Cuong, recorded once again in collaboration with Benjamin Nylander and Robert Dunham. Keep an eye out for updates in the coming weeks and months!

Now, what are you waiting for? Take a listen to the first ever commercial recording of Viet Cuong’s Sanctuary!