The Development of Luciano Berio's Sequenza IX and Its Implications for Performance Practice
Musicology, Research Joshua Heaney Musicology, Research Joshua Heaney

The Development of Luciano Berio's Sequenza IX and Its Implications for Performance Practice

Luciano Berio’s Sequenza IX continues to be a bifurcated work filled with incongruities between its clarinet (IXa) and alto saxophone (IXb) versions. Dozens of unexplained discrepancies exist between these two versions, such as differences in pitch, rhythm and temporal duration, missing material, and expressive markings.

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New Job! Joining the faculty of Oklahoma City University's Wanda L. Bass School of Music
Announcement Joshua Heaney Announcement Joshua Heaney

New Job! Joining the faculty of Oklahoma City University's Wanda L. Bass School of Music

I am thrilled to announce that I have recently accepted the position of Saxophone Instructor & Recruitment Coordinator at Oklahoma City University's Wanda L. Bass School of Music. Starting in August 2023, I cannot wait to share my passion for the saxophone with the talented students and help shape their musical journey. Alongside teaching, I am eager to take on recruitment responsibilities, seeking out extraordinary musicians who will contribute to the vibrant music community at the School of Music.

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More than a Rough Draft: Debussy’s Rapsodie Pour Orchestre et Saxophone
Musicology, Research Joshua Heaney Musicology, Research Joshua Heaney

More than a Rough Draft: Debussy’s Rapsodie Pour Orchestre et Saxophone

The standard repertoire of the concert saxophone is an eclectic collection of works by composers who are generally not considered to be household classical staples. Supplementing these esoteric titles are a small amount of works written by better known composers, among most famous of which being Claude Debussy and his Rapsodie pour Orchestre et Saxophone (1903). Despite the significance of a composer like Debussy writing for the saxophone and his relative fame in comparison to other composers in of concert saxophone’s standard repertoire, Rapsodie remains largely unrecognized by musicologists in the context of Debussy’s compositional output and musical development.

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Residency at the Paul Sacher Stiftung in Basel, Switzerland
Joshua Heaney Joshua Heaney

Residency at the Paul Sacher Stiftung in Basel, Switzerland

This week I was fortunate to spend a week in residency at the Paul Sacher Stiftung in Basel, Switzerland! This residency was done, in part, to complete essential research for my doctoral dissertation. My dissertation, entitled “The Development of Berio's Sequenza IX and its Implications on Performance Practice,” is anticipated to be completed by Spring or Summer 2023. Many thanks to everyone at the Paul Sacher Sifting for their generosity in helping with my research! Also, many thanks to BGSU’s College of Musical Arts and the Graduate College for their assistance with funding my research.

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